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       PRELUDE STUDIES 1 : AFTERMATH      

 Prelude studies 1 was a small group assignment where intensive research is being conducted on    various war heroes during the Japanese Occupation. This assignment was to aid us in the next    upcoming project which is primer 2 and a strong foundation can be formed when this group    assignment is done well.  

 INTRODUCTION 

 TASK 

 3 war heroes were given to us and we had to research on one so my group researched about Sybil    Kathigasu war effort during the Japanese Occupation and World War 2. From her story , I have    extracted out 3 different emotions that she has gone through during her tough times and this is also    how most of the people felt during the Japanese Occupation. The 3 emotions are Anxiety , Sanguine    and Relieved and from this 3 emotions , we had to create 21 images that are made up of artworks ,    installations , photography etc in reference from the internet and library to represent the 3 different    emotions and this images will be used as a form of exhibtion later on. We also decided our theme of    this project to be Reflection as we believed that one needs to reflect itself about this emotions in order   to understand it truly and more deeply. 

 RESEARCH 

 Surname : Kathigasu  

 Given Name : Sybil  

 Born : 1899  

 Died : 12 Jun 1948  

 Country : Malaya and Singapore  

 Category : Resistance  

 Gender : Female  

 BACKGROUND INFO 

 Sybil Medan Kathigasu was born Sybil Medan Daly to an Irish-Eurasian planter (Joseph Daly) and a    French-Eurasian midwife (Beatrice Matilda Daly née Martin) on 3 September 1899 in Medan, Sumatra,  Indonesia. She married AC Kathigasu, a doctor, while she was a trained nurse and together they    operated a clinic in Ipoh from 1926 until Japanese troops arrived in Ma­laya on 26 December, 1942.    She was also fluent in speaking cantonese as well.Sybil's first child was a son born on 26 August 1919,    but due to major problems at birth, died after only 19 hours. He was named Michael after Sybil's elder  brother who was born in Taiping on 12 November 1892 and was killed in Gallipoli on 10 July 1915 as a  member of the British Army. The devastating blow of baby Michael's death led to Sybil's mother    suggesting that a young boy, William Pillay, born 25 October 1918, who she had delivered and had    remained staying with them at their Pudu house, should be adopted by Sybil and her husband. Then a  daughter, Olga, was born to Sybil in Pekeliling, Kuala Lumpur, on 26 February 1921. The earlier    sudden death of baby Michael made Olga a very special baby to Sybil, when she was born without    problems. So when Sybil returned to Ipoh on 7 April 1921, it was not only with Olga, but also with    William and her mother who had agreed to stay in Ipoh with the family.  

 WAR EFFORTS 

 The couple, along with their two daughters Olga and Dawn and an adopted son William, moved to a    small town called Papan. Together with her husband, the resistance fighter opened another    dispensary in Papan and secretly provided the guerrilla forces with medical treatment and supplies as  well as information to the resistance forces during the Japanese Occupation of Malaya. They were    betrayed and she was caught by the Japanese in 1943 and tortured mercilessly. She underwent the    “Tokyo wine treatment” whereby water was pumped into her and her torturer would stomp on her    stomach and force water out of her through all her orifices. She was beaten, burnt and kicked on the    jaw in an attempt to break her. She could not walk, lost all her fingernails and had broken bones    everywhere, including her skull. Her five-year-old daughter, Dawn, was dangled from a tree and her    torturers threatened to roast her child alive with charcoal burning beneath her. Despite being    tortured and thrown into prison by the Japanese military police, Sybil never divulged information    about the resistance movement. She survived the ordeal although her health was severely affected    after the various injuries sustained during her incarceration. When Malaya was liberated in 1945,    Sybil was flown to Britain for medical treatment. She was awarded the George Medal for Gallantry,    the only Malaysian woman to receive the medal for bravery.  

 IMPACTS 

 Sybil Kathigasu died in 1948, in Lanark, Scotland, from acute septicaemia brought on by her previous    injury sustained during her torture. In 1949, her remains were returned to Ipoh, where a huge crowd    paid tribute and accompanied her cortege to her final resting place in the grounds of St Michael’s    Church.Director Bernard Chauly is retelling the story of Sybil Kathigasu, based on her memoir.    When asked what message he wanted relayed, he said: “It is one woman’s struggle and sacrifice    driven by deep personal conviction for justice, in the face of inhumanity at a time when Malaya was    upside down. For those who’re familiar and passionate about her story, this series need no    introduction. For the majority of the Malaysian public, the simple message is: here is a story we    should all know. One that should be in our history books.” Bernard’s films normally feature female    protagonists: “The contribution of women to the course of history, ours included, has been under-    documented, under-recognised and often untold. For him, the Sybil Kathigasu story is a perfect    example: “Luckily for us, she lived to tell her story and penned down her gripping ­experiences. In    short, it is a rare historiography of a true wirawati negara ( national heroine).” Sybil Kathigasu is    without doubt a Malaysian heroine and 12 June 2010, marks the 62nd anniversary of her death    from the torture she received at the hands of the Japanese military police. She, like many others in    the war effort, gave the ultimate sacrifice to the nation in order that we may live in peace and    security.  

 ANXIETY 

 SANGUINE 

 RELIEVED 

 CONCLUSION 

 Through this mini assignment , I have learnt and understand various emotions more deeply and also    able to read and translate them into various images which express abstract emotions through    different form of works. This has allowed me to have a greater sense of judging an artwork better in    relation to emotions.  

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